Apple Pro Training Series: Final Cut Pro for Avid Editors by Diana Weynand

By Diana Weynand

Updated for ultimate reduce seasoned 7 and written for pro video and picture editors who recognize their manner round Avid nonlinear structures, this ebook exhibits you the way to translate your talents to ultimate reduce seasoned quick and successfully. manufacturer, editor, and Apple qualified coach Diana Weynand takes you thru a finished “translation direction” masking all of the crucial operations, from venture set-up and uncomplicated enhancing via transitions and results, colour correcting, compositing, titling, and output. You’ll locate targeted function comparisons, sensible conversion suggestions, and directions on the right way to use ultimate reduce professional positive factors that aren’t to be had in Media Composer. You’ll additionally examine what’s new in ultimate minimize professional 7. filled with convenient gains, together with comparability charts, look-up tables, keyboard shortcuts, and dozens of complex modifying and workflow guidance, this ebook can have you modifying with ultimate reduce seasoned in list time. every one bankruptcy represents an entire lesson in a key point of ultimate minimize seasoned 7 and encompasses a evaluation part and record of keyboard shortcuts.

  • Accessible writing kind places knowledgeable teacher at your side
  • Ample illustrations and keyboard shortcuts assist you grasp strategies fast
  • Chapter overview sections summarize what you’ve learned


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Extra info for Apple Pro Training Series: Final Cut Pro for Avid Editors (4th Edition)

Example text

Move the playhead to the end of the sequence to see the blue end-of-sequence bar. First frame indicator 3 Last frame indicator End of sequence To see a display of timecode for all video and audio tracks, as well as timecode for sequence In and Out points, click the View pop-up menu and choose Show Timecode Overlays. You can also choose View > Show Timecode Overlays, or press Option-Z. com> Enabling View Overlays 39 To see additional Viewer overlays: 1 Open a clip in the Viewer, and in the View pop-up menu, make sure Show Overlays is chosen.

To zoom into a particular clip or clips, select the clips and press ShiftOption-Z. In addition to using the zoom slider to move the sequence left or right, you can use a mouse scroll button or trackball to scroll through the sequence. You can also use the Hand tool, which shares position in the Tool palette with the Zoom tool. To display the entire sequence in the Timeline, press Shift-Z. The pointer, or default Selection tool, is the tool you will use for all basic editing functions. To get back to it, press A.

Drag the clip image from the Viewer into the Canvas window. When the Edit Options overlay appears, release the clip onto the red Overwrite or yellow Insert option. com> 34 Translating Basic Editing Skills FCP Canvas Edit Overlay You can also drag a source clip from the Viewer, or even from the Browser, directly into the Timeline. This approach is covered in detail in Lesson 6. Conforming Sequence Settings In Final Cut Pro, settings are attached to individual sequences—not projects. So after you initiate the first edit into a new sequence, Final Cut Pro will detect if the format of the clip you are editing matches the format settings of the active sequence.

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