By Alexander Pushkin, James E. Falen, Caryl Emerson
Alexander Pushkin's dramatic paintings monitors a scintillating number of kinds, from the historic to the metaphysical and folkloric. After Boris Godunov, they developed into Pushkin's personal exact, condensed ameliorations of Western eu subject matters and traditions. The apprehensive amorality of A Scene from Faust is by way of the 4 Little Tragedies, which confront greed, envy, lust, and blasphemy, whereas Rusalka is a tragedy of a distinct kind--a lyric fairytale of depression and transformation. the following, James E. Falen's verse translations are observed through a chief advent from Caryl Emerson, an both distinctive Russianist, which emphasizes the cosmopolitan nature of Pushkin's drama, the location of Russian tradition at the eu degree, including first-class analyses of the person works within the quantity. Falen's translations of Pushkin are commonly famous and his OWC translation of Eugene Onegin is taken into account the simplest to be had. This assortment is certain to curiosity either informal readers and scholars of Russian literature.
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Additional info for Boris Godunov and Other Dramatic Works (Oxford World's Classics)
The golden crown grows heavy on their brows, And often they’ve exchanged it for a cowl. Iván the Dread sought peace and consolation By living like a monk inside his court. His palace, full of vain and haughty men, Took on the aspect of a monastery; His fearsome guards, in skullcaps and in hair-shirts, By their appearance seemed but docile monks, And he, the awesome Tsar, their humble abbot. I saw them all—within this very cell (Monk Cyril lived here then, a righteous man Who suﬀered much. And I as well by then Had learned, by the Lord’s grace, the nothingness Of worldly cares).
Pushkin appears incapable of scripting a detached disgust, such as would communicate his abandonment of a character to the realm of caricature. The only possible exception—and it has been found ugly indeed—is his stereotype of the Jewish moneylender Solomon in The Miserly Knight. But even there, justiﬁcation is not denied from within Solomon’s own experience and worldview. Solomon is absolutely correct that should Albert die in debt, ‘a knight’s good word’ would be a worthless asset for the ‘wretched Jew’ who tried to redeem his pledge.
When I returned, I could have—with a word— Exposed the hidden villain to the world. 35 40 vorotýnsky Why didn’t you destroy him then and there? shúisky I must confess that he bewildered me With unexpected shamelessness and calm; He looked me in the eye and showed no guilt, Then questioned me on every small detail— And, face to face with him, I gave him back The nonsense that he whispered me himself. 45 vorotýnsky How shameful, prince. shúisky But what was I to do? * But the Tsar Saw matters through the eyes of Godunóv, 50 boris godunov, scene 1 And listened with the ears of Godunóv.